Category Archives: existentialism

“Tale Told by an Idiot” Still Being Told

Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day
To the last syllable of recorded time,
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

This famous Shakespearean wisdom from Macbeth has stuck with me from the first time I heard it in high school when, stuck in a literal mindset at the time, I found Shakespeare and literature…other than the Bible…horrifying.  This wisdom is frightening as it takes the reader right into one of humankind’s worst fears, “Is anything real, and if so, am I participating in it?”

But now after three decades cavorting about in the delightful realm of Shakespeare’s imagination, I’m not as frightened or even daunted when I come across one of his glimpses into the scary parts of our psyche.  Here he was certainly telling us that we are all mad but the body of his work conveyed the conviction that there is “method to this madness” that we call life, that, “There is a Divinity that doeth shape our ends, rough hew them how we may.”  Shakespeare recognized what we now call “consensually validated reality” as a stage play in which we play various roles throughout all of our life, all of them amounting in some sense only to “performance art.”  And he knew that this social facade was necessary but he liked to point out to us in his plays and sonnets just how given it is to duplicity, hypocrisy, dishonesty and the rest of the ugliness of the human heart that reigns in us all, though we are hard-wired to keep it covered up beneath the surface of this “dog-and-pony show” that we call reality.  But occasionally the gods will send along a vivid illustration to let us see just how much non-sense we are mired in and then it is our task to have the courage to learn from this object-lesson that is being provided us and amend our ways.  But we must always remember the wisdom of W. H. Auden on this note, “And Truth met him, and held out her hand, and he clung in panic to his tall belief and shrank away like an ill-treated child.”

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Two other blogs of mine are listed here which I invited you to check out:

https://anerrantbaptistpreacher.wordpress.com/

https://literarylew.wordpress.com/

https://theonlytruthinpolitics.wordpress.com/

Rebecca Solnit on Trump’s Maddening Solitude

This is the best “sermon” I’ve read yet about Trump and his minions.  Rebecca Solnit spares no punches and delivers a prophetic word, not just about Trump, but about our whole culture.  As they say, “Read it and weep.”  And weeping is in order as this is a very sad moment in our history and could get even sadder at any moment.

My use of words like “sermon” and “prophetic” bely my rage at the church culture of my origins.  Yes, “me doeth protest too much.”  I still think that “truth” can be found in spiritual traditions but very often spiritual traditions ossify and become merely “well-worn words and ready phrases that build walls against the wilderness.”  That leaves it to artists, writers, and even comedians to “speak truth to power” and Ms. Solnit here “knocks it out of the park.”

http://lithub.com/rebecca-solnit-the-loneliness-of-donald-trump/

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Two other blogs of mine are listed here which I invited you to check out:

https://anerrantbaptistpreacher.wordpress.com/

https://literarylew.wordpress.com/

https://theonlytruthinpolitics.wordpress.com/

Paean to Mothers and Home

Home is increasingly important to me.  I like to go places, I’m not to the point of isolation, but I always like to get home.  If I travel, the further I go the more disconcerting and troubling I find it.  I immediately want to get back to the safe and warm confines of my simple little home with my wife, lovely dachshund Elsa, my garden, the birds, and my dear friends who live in the town.  I know this is from my childhood when the home that my mother created was the safe respite from the scary world “out there” that the first grade told me I had to learn to adjust do.  And I did learn to adjust to it but I’m now realizing, as I round third base in my life and head for “home” plate, that certainly “home is where the heart is.”

I stumbled across a notion about the importance of “home” in Greek mythology and was reminded of the emphasis of returning home in their stories, especially the story of Odysseus who was always focused on returning to the comforts of heart and home.  Furthermore, I learned that he actually tried to fake illness to avoid going on the long voyage that would lead to a long war and keep him subjected to great dangers for many years.  And, when he finally was able to head home, many were the obstacles that the fates placed in his way.

Recently I was reminded of an old hymn from my youth about the safety and security of the heavenly home which was promised as the reward for our earthly sojourn:  This world is not my home, I’m just a passing through.  If heaven’s not my home, O Lord what will I do?  I think this old hymn, and the Greek myths do convey to us the unconscious duress that human experience puts on our soul and the comfort we find in “home.”  And though fathers are an essential part of making a home, an emotional dwelling place for the children, it is usually the mother who carries the brunt of this deeply important emotional/spiritual burden.  And on this Mother’s Day, I’m grateful for my dear mother, Dorothy Lucille Stough Chamness Smith who did such a fine job for which she is often rewarded by reading “Literarylew” from heaven!!!  And, if she does, I hope she doesn’t yawn and roll her eyes very often!!!

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Two other blogs of mine are listed here which I invited you to check out:

https://anerrantbaptistpreacher.wordpress.com/

https://literarylew.wordpress.com/

https://theonlytruthinpolitics.wordpress.com/

“Like Kittens Given Their Own Tails to Tease”

Vaclav Havel was a playwright, poet, and artist who became the first president of the Czech Republic in 1992 after helping lead a successful revolution against the Communists.  His involvement in politics was not the route that most men of his artistic persuasion would follow but his voracious reading in religion and the arts led him to action, not idle thought, or as pointed out recently in the Times Literary Supplement, “working for social and political improvement, not for glory, but to put his soul in order.”  Havel had a hunger in the heart that led him into the ethereal, even the occult, but he also was grounded in reality and recognized that the lure of intellectual and spiritual escapism must not be allowed to capture him.  He recognized that passion, that as Hamlet put it, “the native hue of resolution, sicklie’d o’er with the pale cast of thought…(would)…lose the name of action.”  Or, to put it in New Testament words, “Faith without action is dead.” (This was from a book review of “Vaclav Havel” by Kieran Williams.)

Havel lived through social and political turmoil in his youth during the Communist Revolution when his comfortably ensconced family suffered loss of wealth and status making the young Havel “self-conscious about his social origin.”  This “self-consciousness” produced what the book reviewer, Lesley Chamberlain, described as “productive friction” in his soul which simultaneously created or affirmed a belief in a soul and the insight that engagement in the human endeavor was an important part of “putting his soul in order.”  This “productive friction” will not take place in anyone’s life without some unsettling experience at some point in life as otherwise one will just bumble along life’s way comfortably ensconced in one’s view of the world, like “kittens given their tail to tease,” as Goethe put it.

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Two other blogs of mine are listed here which I invited you to check out:

https://anerrantbaptistpreacher.wordpress.com/

https://literarylew.wordpress.com/

https://theonlytruthinpolitics.wordpress.com/

Epistemic Closure in Poetry

The political impasse in my country with the hijacking of the Republican Party by hyper-conservative voices has brought to my focus the topic of epistemic closure.  This is the idea of an idea, or group of ideas, that so captivates a group that any disagreement is forbidden as it would threaten their unconscious need for certainty.  Carried to an extreme this phenomenon always produces a figure head, someone extremely immune from feedback from external reality like Donald Trump.

This morning I ran across a beautiful poem in the Times Literary Supplement which illustrates this phenomenon.  It then brought to my mind two other poems, all three of which I will now share:

Sleeping Dogs by Stephen Dobyns

The satisfied are always chewing something;
like eternal daybreak their smiles remain constant.
They think they travelled far to get here. In fact,
it was two or three steps. Their definitions
surround them like a kennel contains a hound.
Let’s say you rattle their gate. Let’s say you became
a flea nibbling the delicate skin of their belief.
One eye rolls up, a raised lip reveals a tooth.

Like a thrown stone imagining it will not fall
their explanations work to keep the world fixed.
And here you’ve come with your trumpet. Did you
think they would like your music? Your accusers
are blameless. They press their paws to their soft ears.
Why share their kennel if you won’t let them sleep?

And here is one of my favorite poems by Emily Dickinson who uses vivid, concrete language to describe the emphatic closing of a mind against any feedback from one’s private frame of reference:

The Soul selects her own Society —
Then — shuts the Door —
To her divine Majority —
Present no more —

Unmoved — she notes the Chariots — pausing —
At her low Gate —
Unmoved — an Emperor be kneeling
Upon her Mat —

I’ve known her — from an ample nation —
Choose One —
Then — close the Valves of her attention —
Like Stone —

And finally here is an excerpt from “New Year Letter” by W. H. Auden who poignantly captures the duplicity of the social contract and the courage it takes to explore beneath its facade:

…only “despair

Can shape the hero who will dare

The desperate databases

Into the snarl of the abyss

That always lies just underneath

Our jolly picnic on the heath

Of the agreeable, where we bask,

Agreed on what we will not ask,

Bland, sunny, and adjusted by

The light of the accepted lie?

 

Three Poems About Marriage

The following poem beautifully and, kind of darkly, describes the duress that marriage presents to two people who have opted to engage in the process of becoming, “one flesh.”  I like to think, facetiously, that marriage was invented by the gods just to torment mankind, forcing two diametrically opposed forces to live together under the same roof.  Traditional life has controlled the tension of this union of opposites by implementing overt power, defining the term “marriage” as a relationship in which the female would be subservient to the male.  Technically this subservience went to the extent that it deprived women of a subjective experience, that their desire should only be to please their husband. But women usually managed to get their pound of flesh in the relationship which Alfred Hitchcock beautifully and darkly portrayed in his movie “Frenzy.”  In this movie a psychopathic killer was on a rampage of grisly murder of young women and the stiff and proper police inspector was obsessed with stopping the rampage.  After a hard day at the office and on the streets looking for the killer, the poor police inspector would retire to the comfort of his home where his would wife would have dinner waiting.  However, as she dutifully and daintily presented an ornate and formal dinner, he would grimace as she had prepared food that he didn’t like or was given to him in minuscule portions.  In one scene, when she stepped back into the kitchen he hurriedly poured his soup out.  But all the while as he was tortured through these scenes, she would be so delightful, loving, and gracious and he would respond in kind.

Here is a narrative poem by poet Anne Carson in the most recent edition of The New Yorker Magazine.  It is quite witty and pointed:

We really want them to like us. We want it to go well. We overdress. They are narrow people, art people, offhand, linens. It is early summer, first hot weekend. We meet on the street, jumble about with kisses and are we late? They had been late, we’d half-decided to leave, now oh well. That place across the street, ever tried it? Think we went there once, looks closed, says open, well. People coming out. O.K. Inside is dark, cool, oaken. Turns out they know the owner. He beams, ushers, we sit. And realize at once two things, first, the noise is unbearable, two, neither of us knows the other well enough to say bag it. Our hearts crumble. We order food by pointing and break into two yell factions, one each side of the table. He and she both look exhausted, from (I suppose) doing art all day and then the new baby. We eat intently, as if eating were conversation. We keep passing the bread. My fish comes unboned, I weep pretending allergies. Finally someone pays the bill and we escape to the street. For some reason I was expecting snow outside. There is none. We decide not to go for ice cream and part, a little more broken. Saturday night as an adult, so this is it. We thought we’d be Nick and Nora, not their blurred friends in greatcoats. We cover our ears inside our souls. But you can’t stop it that way.  

And here Wendell Berry offers my favorite poem on marriage, vividly stresses and strains of two different forces of energy living in the constraint of committed relationship:

How hard it is for me, who live
in the excitement of women
and have the desire for them
in my mouth like salt. Yet
you have taken me and quieted me.
You have been such light to me
that other women have been
your shadows. You come near me
with the nearness of sleep.
And yet I am not quiet.
It is to be broken. It is to be
torn open. It is not to be
reached and come to rest in
ever. I turn against you,
I break from you, I turn to you.
We hurt, and are hurt,
and have each other for healing.
It is healing. It is never whole.

And here is W. H. Auden with a witty, facetious and playfully grim description of marriage.

If all a top physicist knows
About the Truth be true,
Then, for all the so-and-so’s,
Futility and grime,
Our common world contains,
We have a better time
Than the Greater Nebulae do,
Or the atoms in our brains.

Marriage is rarely bliss
But, surely it would be worse
As particles to pelt
At thousands of miles per sec
About a universe
Wherein a lover’s kiss
Would either not be felt
Or break the loved one’s neck.

Though the face at which I stare
While shaving it be cruel
For, year after year, it repels
An ageing suitor, it has,
Thank God, sufficient mass
To be altogether there,
Not an indeterminate gruel
Which is partly somewhere else.

Our eyes prefer to suppose
That a habitable place
Has a geocentric view,
That architects enclose
A quiet Euclidian space:
Exploded myths – but who
Could feel at home astraddle
An ever expanding saddle?

This passion of our kind
For the process of finding out
Is a fact one can hardly doubt,
But I would rejoice in it more
If I knew more clearly what
We wanted the knowledge for,
Felt certain still that the mind
Is free to know or not.

It has chosen once, it seems,
And whether our concern
For magnitude’s extremes
Really become a creature
Who comes in a median size,
Or politicizing Nature
Be altogether wise,
Is something we shall learn.

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Two other blogs of mine are listed here which I invited you to check out:

https://anerrantbaptistpreacher.wordpress.com/

https://literarylew.wordpress.com/

https://theonlytruthinpolitics.wordpress.com/

We’re Just a Bunch of Drunken Cells!!!

A Drunkard – by Ko Un”

I’ve never been an individual entity.
Sixty trillion cells!
I’m a living collectivity.
I’m staggering zigzag along,
sixty trillion cells, all drunk.

This simple little poem so beautifully illustrates the principle of coherence that permeates life and might even be described as life itself.  Disparate phenomena somehow miraculously “cohere” and an identity is formed, or born.  Without taking pause and contemplating we will spend our lives thinking we are an “individual entity” when actually we are a small part of a broad fabric, so “broad” that actually it is infinite.  At this very moment you are witnessing the result of the drunken “sixty trillion cells” that I call myself, an entity or identity whose “drunkenness” is somehow contained enough that I am writing coherently.  I hope!!!!  Grasping and understanding the wisdom offered in this poem makes us aware of our profound finitude which is given meaning only when we contemplate that we are part of a larger whole.  But the ego does not want us to understand this, demanding that we remain submitted to its tyranny and bask in the comfort of assuming and therefore thinking that “my view of the world is the only valid one.” W. H. Auden captured this wisdom in his poem, “In Sickness and in Health,” an excerpt of which I offer here:

Rejoice. What talent for the makeshift thought
A living corpus out of odds and ends?
What pedagogic patience taught
Preoccupied and savage elements
To dance into a segregated charm?
Who showed the whirlwind how to be an arm,
And gardened from the wilderness of space
The sensual properties of one dear face? 

Rejoice, dear love, in Love's peremptory word;
All chance, all love, all logic, you and I,
Exist by grace of the Absurd,
And without conscious artifice we die:
O, lest we manufacture in our flesh
The lie of our divinity afresh,
Describe round our chaotic malice now,
The arbitrary circle of a vow.  

That reason may not force us to commit
That sin of the high-minded, sublimation,
Which damns the soul by praising it,
Force our desire, O Essence of creation,
To seek Thee always in Thy substances,
Till the performance of those offices
Our bodies, Thine opaque enigmas, do,
Configure Thy transparent justice too. 

 

For complete poem, see this link:  https://thepoetrycollection.wordpress.com/w-h-auden-1907-1973-in-sickness-and-in-health/

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I have two other blogs.  Hope you check ’em out sometime!

https://anerrantbaptistpreacher.wordpress.com/

https://literarylew.wordpress.com/

https://theonlytruthinpolitics.wordpress.com/

“Batter My Heart, Three-Person’d God”

John Donne’s famous sonnet, “Batter My Heart, Three Person’d God” reveals the intense spiritual passion of those whose “god-spot” in the brain is over-heated.  Donne’s sonnet vividly conveys his deep desire to know God with complete abandonment though he also realizes that it is his rationality that stands in the way of this experience.  He knows that this reason is itself a gift from God but intuitively knows that it has been “captive’d” by something or someone (i.e. Satan) so that it is useless in the quest for God without Divine intervention, unless his reason be “o’er thrown.”

Donne recognized that our reason is not the primary driving force in our lives, even with religious impulses.  Being a poet he was in tune with depths of the heart which most of us never have any awareness of.  He knew that the phenomena of “god” would come to fullest expression only from these hidden spiritual resources in our heart and never as the result of rationality.  Donne was bringing to our attention that life is much more complicated than we like to think, knowing that our “thinking” when given primacy will always keep us on the surface of life.

But life spent on the surface will always be shallow and sorely lacking, with the absent quality always beckoning for attention.  Some use the term “god” to refer to this driving force but any word choice is not important for words can never capture this experience though our “captive’d” would like us to think so.  Religion was created to address this issue, the word itself meaning to bind together something which is divided.

Batter my heart, three-personed God, for you
As yet but knock, breathe, shine, and seek to mend;
That I may rise, and stand, o’erthrow me, and bend
Your force to break, blow, burn, and make me new.
I, like an usurped town, to another due,
Labour to admit you, but Oh, to no end.
Reason, your viceroy in me, me should defend,
But is captived, and proves weak or untrue.
Yet dearly I love you, and would be loved fain,
But am betrothed unto your enemy:
Divorce me, untie or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.

Shakespearean Wisdom for Trump

Shakespeare’s sonnets were probably the key to the birth of “literary lew” in the mid-eighties.  A friend gave me a copy of the Bard’s sonnets and my confinement in a linear world began to crack immediately, a “cracking” which continues! I remember Leonard Cohen telling us in song,  “There’s a crack in everything, that’s where the light gets in.”

Shakespeare’s Sonnet 16 begins with, “As an unperfect actor on the stage of life, who with his fear is put beside his part…”  Shakespeare saw through us all.  He did this because he saw through himself and realized that in so doing he had insight to the human predicament, that we are merely actors on a stage playing some role that we were given early in life.  His grasp of the human heart is a gift that some poets have, a gift eloquently put into words by Matthew Arnold (1822-1888) who wrote, “The poet, in whose mighty heart, heaven hath a quicker pulse imparted, subdues that energy to scan, not his own heart but that of man.”

Shakespeare’s literary gift to the ages is a scanning of the heart.  With modern technological wizardry, we can “scan” the physical heart in ways that Shakespeare could have never imagined but our modern mental wizardry cannot “scan” the heart like Shakespeare did.  For Shakespeare knew that the heart was something intricately subtle and complex, so much so that most people live their lives without any awareness of having one, or at least without any awareness of its infinite depths.  And, it is the experience of “infinite depths” that introduces one to the spiritual realm which people usually prefer to avoid, opting for words instead of the essential realm that words point to.  Infinity is scary which is why T. S. Eliot declared, “Human kind cannot bear very much reality” for in the depths of our heart we are intrinsically aware of this infinity…and, therefore, our mortality.

The social contract is the stage that Shakespeare put on the table for us. This contract is best illustrated for us in today’s world by Donald Trump who flagrantly disregards this contract, refusing simple rules of civility and decorum on the “playground” that we all play on.  Most of us very early opted to “make nice” with each other in return for the knowledge that others would reciprocate.  This “making nice” is upon closer scrutiny, insincere in some fashion as beneath the surface we chafe under the daily grind and would prefer the disinhibition of a tragic figure like our President.  On some level I think that is why so many of the “low-information voters” pledged their troth to him for they sorely resent on some level the lack of freedom that the “social contract” they have signed imposes upon them.

Some hypothesized that perhaps the office that Trump was assuming would modify his whimsical and capricious nature, that he would begin to “act” Presidential as ordinarily one must.  But this ability to “act” to fulfill any role on the playground requires a deep-seated, heart-level restraint that some people lack. Shakespeare described Macbeth penchant for acting out as being wont to “crown his thoughts with acts,” noting later that, “He cannot buckle his distempered (or swollen) cause within the belt of rule.”  Shakespeare knew that some men could not “subdue” or harness the energy referred to in the Arnold poem quoted above.  Shakespeare knew that dark energy of that sort, unleashed, was dangerous to all.

If we could only get Trump see the wisdom of Shakespeare’s advice, through the mouth of Hamlet:

Assume a virtue, if you have it not.
That monster, custom, who all sense doth eat,
Of habits devil, is angel yet in this,
That to the use of actions fair and good
He likewise gives a frock or livery,
That aptly is put on. Refrain to-night,
And that shall lend a kind of easiness
To the next abstinence: the next more easy;
For use almost can change the stamp of nature,
And either [ ] the devil, or throw him out
With wondrous potency. 

 

 

John Masefield and Our Hidden Riches

Poet John Masefield, the British Poet Laureate from 1930-1967 wrote a sonnet which I always think of when I read Shakespeare’s 46th sonnet which I blogged about two days ago.  Masefield also grasped the presence a hidden dimension of reality which is usually overlooked in a world where only the superficial is valued.  In his words, “like lame donkey lured by moving hay, we chase the shade and let the real be.”  Enculturation deprives us of our connection with the real, a necessary step of “joining the human race.”  But often enculturation is so rigid, or our lack of courage is so pronounced, that we spend our lives clinging to the “fig leaves” our culture has provided us and neglect the hidden realm of true Value.

But Masefield’s sonnet noted that this hidden resource, with its immense power, is always there and often is not accessed until the accumulated duress of living on the surface accumulate in our heart and bring us to “our straitened spirit’s possibility.”  But having our spirit, or soul, subjected to “straits” is painful and it is easier to find another escapist amusement to take our attention away from the pain that is necessary in going beneath the surface and drinking from the “well of living waters” that Jesus spoke of.

Before I share this sonnet, I’d like to quote W. H. Auden on a relevant topic, “And Truth met him, and held out her hand.  But he clung in panic to his tall beliefs and shrank away like an ill-treated child.”

Man has his unseen friend, his unseen twin,
His straitened spirit’s possibility,
The palace unexplored he thinks an inn,
The glorious garden which he wanders by.
It is beside us while we clutch at clay
To daub ourselves that we may never see.
Like the lame donkey lured by moving hay
We chase the shade but let the real be.
Yet, when confusion in our heaven brings stress,
We thrust on that unseen, get stature from it,
Cast to the devil’s challenge the man’s yes,
And stream our fiery hour like a comet,
And know for that fierce hour a friend behind,
With sword and shield, the second to the mind.

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ADDENDUM—This is one of three blogs that I now have up and running.  Please check the other two out sometime.  The three are: 

https://wordpress.com/posts/anerrantbaptistpreacher.wordpress.com

https://wordpress.com/posts/theonlytruthinpolitics.wordpress.com

https://wordpress.com/posts/literarylew