Tag Archives: Franz Kafka

“Well Worn Words and Ready Phrases….

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…Build Comfortable Walls Against the Wilderness.” This quip from poet Conrad Aiken has captivated me for decades now as his work and that of other poets continue to erode my “comfortable walls.”

I was born into poetry but the hyper-conservative, linear-thinking community in which I found myself disallowed any consideration of a nuanced way of perceiving and organizing my world.  That is not to assign blame; if I had to assign blame, I would have to blame myself for lamely imbibing into the depths of my heart the world view and experience that was proffered me; I did not even try to find my own voice. I desperately felt the need to fit in, to belong, which is a very human “need.” But my desperation to obtain this belonging-ness probably created a sense of dis-ease with many of my classmates.  Decades later I would learn the label for this existential malaise was “alienation.” 

But in the mid-eighties, the breath of life breached my endungeoned heart when a friend gave me a copy of W. H. Auden poetry and I fell upon a copy of Shakespeare’s sonnets.  I have quoted Kafka on the resulting experience often before, citing his note that literature is like a pick-axe that “fractures the frozen sea within.”  And that “fracturing” of my soul was painful, and continues to be…and will always be…as the “einfall” of Carl Jung will often be. (Jung employed the German term for an irruption into a person’s psyche of what had been excluded.)

Language is not static…though static hearts can attempt to “static” it, or “staticize” it, and often succeed at least temporarily.  But poetry, or some visit from the arts, will often breach the walls of the stale prison of thinking inside a bubble, even if the bubble is inside one’s own head!  But when the bubble takes place in a group, the value of language itself is threatened as words will be used merely for perpetuating group think and the language itself will die spiritually. Here is a poem by an Irish poet, W. R. Rodgers that addresses this issue and poignantly notes the “death” that hides in a sterile language. 

WORDS (an excerpt) 

By W. R. Rodgers 

Once words were unthinking things, signaling 

Artlessly the heart’s secret screech or roar, 

Its foremost ardour or its farthest wish, 

Its actual ache or naked rancour. 

And once they were the gangways for anger, 

Overriding the minds qualms and quagmires. 

Wires that through weary miles of slow surmise 

Carried the feverish message of fact 

In their effortless core.  Once they were these, 

But now they are the life-like skins and screens 

Stretched skillfully on frames and formulae, 

To terrify or tame, cynical shows 

Meant only to deter or draw men on, 

The tricks and tags of every demagogue, 

Mere scarecrow proverbs, rhetorical decoys, 

Face-savers, salves, facades, the shields and shells 

Of shored decay behind which cave minds sleep 

And sprawl like gangsters behind bodyguards. 

Poetry Arises With a Stirring in the Heart

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The poet, to whose mighty heart
Heaven doth a quicker pulse impart,
Subdues that energy to scan
Not his own course, but that of man.
(Matthew Arnold)

Arnold knew that poets harnessed energy in a different way than most of us.  Being immersed in poetry myself, though not being a poet, I think I understand what he meant.  Human beings are in essence merely energy, “pulsating” energy, and most of us have the “pulsating” curtailed into structured behavior and thought…and even feeling.  But poets are different; you might even say they have a screw loose, or to borrow from Emily Dickinson, “a splinter in their brain.”  Thus, they have free-floating energy which, being gifted with the poetry muse, they can “subdue” and thus “scan, not his (“their) own course, or heart, “but that of man.”  (The quip about “loose screw” was not meant with any disrespect!!!)

Poetry, therefore, offers us a glimpse into the depths of the human heart.  To some it will fall on deaf ears and that is not to dismiss them in the least; their lot in life is different.  But it speaks to those of us who at least have an ear…and a heart…for its wisdom.  In the mid 1980’s a friend of mine gave me a copy of W. H. Auden’s “Collected Longer Poems” and I was stunned by Auden’s wisdom.  This was the first time poetry had penetrated the linear-thinking prison I had spent my first three and a half decades in.  That little paperback book only recently broke completely in half, down the spine, just where “For the Time Being: A Christmas Oratorio” began; but I will never throw it away, even though I have a hard bound collection of his complete poetry.

Franz Kafka offered wisdom about the impact that good literature can have on a person, how it can act as a “pick axe” to the frozen sea within us just as Auden’s work did to me three decades ago:

I think we ought to read only the kind of books that wound or stab us. If the book we’re reading doesn’t wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief.”

Franz Kafka on the Power of Books

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“A book must be the axe for the frozen sea within us.”  Kafka knew that our internal life is always “frozen” to some degree, confined to structure and routine which allows us to live our lives in a structured and routine life.  But he knew that at some time in our life this “frozen sea” needs to be broken up and that literature, i.e. “books”, are one means by which this is accomplished.  But he also noted that the only books that could serve this purpose are those that, “wound or stab us” to “wake us up with a blow to the head.”

Routine and structure provide safety and no one can fault humankind for desiring safety.   Otto Brown noted, “Reality is a veil we spin to hide the void” but he also knew that this was a necessary “veil” which provides the safety necessary to go about day-to-day life and keep the wheels of our social organization spinning.  But Kafka’s concern, and the concern of other writers and artists, is that the need for safety can become so great that life itself is stifled and instead of an interior “flow” in our heart we have only a “frozen sea.”  W. H. Auden put it this way, “We have made for ourselves a life safer than we can bear.”

If the risk of life is not acknowledged…the fragility and vulnerability of being a mere “meat suit” in a relentlessly grinding cosmos will be avoided; but so will the experience of being alive. It is disconcerting for humankind to consider his vulnerability, to realize that he is this mere “sack of bones” on a speck of cosmic dust on a lonely planet.  It is this finitude that he seeks to hide with this specious “safety” that Kafka suggested books could “crack.”

This is a personal issue for me, thus a recurrent theme in my daily life and in this blog.  Literature has been the primary means whereby the “frozen sea” in my heart has been shattering for the past three decades since a good friend gave me a copy of Shakespeare’s Sonnets and introduced me to W. H. Auden and T.S. Eliot.  Good literature comes from the depths of the heart and speaks to the depths of the heart, described by the Psalmist as, “deep calls unto deep.”

Here is the Kafka quote in  full:

I think we ought to read only the kind of books that wound and stab us. If the book we’re reading doesn’t wake us up with a blow on the head, what are we reading it for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us. That is my belief.