Tag Archives: loss

T.S. Eliot, George Eliot, Hope, and Despair

Hope comes when we have lost hope.  “Loss” is the beginning of life, as in the teaching of Jesus…to paraphrase, “Find your life only in losing it.”  And that brings immediately to my mind the almost inscrutable Jacques Lacan who noted that nothing of any significance in life takes place without the experience of loss.  And the consummate summation of this wisdom is the words of Jesus on the cross, “Father, why hast Thou forsaken me?”

It is really hard to lose.  It is hard to lose even in a simple game of checkers, or chess, or a football game with our “local sports team” but even more so in an existential crisis when our soul and spirit are on the line, especially when our “soul and spirit” are infused with the immaturity of ego.  In those moments our ego demands that we “dig in” and cling to our self-deceptions, our “well-worn words and ready phrases that build comfortable walls against the wilderness” (Conrad Aiken).

The loss I am presenting here is the gateway to humility, that which T.S. Eliot described as, “a condition of complete simplicity, costing not less than everything.”  This is particularly challenging for those of us who are “spiritually” inclined for it often involves realizing just how “the flesh” has dominated our spirituality which we then realize was intrinsically ersatz.  And, therein, I must plead, “Mea culpa.”

The anguish of this realization is here captured in a couple of quotations from George Eliot:

“But what we call our despair is often only the painful eagerness of unfed hope.”  And elsewhere she noted, “There is no despair so absolute as that which comes with the first moments of our first great sorrow, when we have not yet known what it is to have suffered and be healed, to have despaired and have recovered hope.”

David Whyte and T.S. Eliot on the Subject of Faith

The following poem by David Whyte portrays faith in a more meaningful fashion than what I’ve been familiar with most of my life.  In this poem, faith is presented with a “loss” dimension, poetically conveying the need of “losing one’s faith to find one’s faith” (my paraphrasing). This is related to the observation by evangelical-Christian literary, “hall-of-famer,” Oswald Chambers who noted the danger of “believing only in our belief.”  Whyte and Chambers, and many other spiritually-oriented persons, see the danger of an ideological faith, understanding that the ideological dimension of faith must lose its tyranny in order for the underlying dimension of human experience that faith points to can be experienced.  This is precisely the wisdom conveyed in the famous Buddhist teaching, “The finger pointing to the moon is not the moon.”  Whyte captures this truth with the image of the moon fading away and offering, “the last curving and impossible sliver of light before the final darkness.”

Poem by David Whyte: “Faith”

I want to write about faith,
about the way the moon rises
over cold snow, night after night,

faithful even as it fades from fullness,
slowly becoming that last curving and impossible
sliver of light before the final darkness.

But I have no faith myself
I refuse it even the smallest entry.

Let this then, my small poem,
like a new moon, slender and barely open,
be the first prayer that opens me to faith.

T.S. Eliot also understood this subtle dimension of faith, noting in The Four Quartets:

And what you thought you came for
Is only a shell, a husk of meaning 
From which the purpose breaks only when it is fulfilled 
If at all. Either you had no purpose 
Or the purpose is beyond the end you figured 
And is altered in fulfilment. 

A Man’s View of Maternal Connection

One of my blogging friends posted observations about motherhood a couple of days ago and this prompted very touching discussion on the “mama and child” phenomena, And what a beautiful sight that is, to watch a “mama and child” do their thing together at school, or at Wal-Mart, or church. They are beautiful, a lovely dyad for at first the separateness that we see is not really there.

And I often think of my dear mother who struggled so hard to raise six children in Arkansas poverty in the Fifties and Sixties. My heart is deeply troubled as I reflect back on those years and I so wish I could have offered her more compassion in her later years than I did. She was a “mother hen” and indeed often used that image to describe how she would like to keep her “brood” underneath her wings and protect us from what I would later hear described as those “thousand natural shocks that flesh is heir to.”

I remember one vivid image from my childhood which reveals the attachment issues I had with her, issues which will never completely leave me. I was about two and a half and we were in a department store doing what mother loved to do when we “went to town”, walk through the bolts of cloth at West Brothers Department store and pine for the brightly colored patterned cloth. I was very much in tow, almost literally hanging on her skirt hem, but I must have been distracted because I suddenly looked up…and then around…and there was no mother! I vividly remember that moment because it must have been sheer terror and revealed how I would handle difficult emotion throughout my life—-I kept perfectly calm, rational, and under control to size the situation up and did so in a matter of a few seconds. I knew that I could not make it without a mother so, I looked to my side and saw a woman who would do and reached my hand toward her to ask her to be my mother when my dear mother came around the corner. In that split second of time “a plank in reason (had) broke(n)” and terror gripped my soul but I “categorized” the experience and was about to make a “good” decision though one that spoke, and does speak, volumes about me. In that moment of terror I experienced what Jacque Lacan was describing in France at the time as “the lost object.” And, I can today discourse at great length about that subject but I don’t know much about the experience.

But, I offer a poem from another man who I think does know something about the experience or he could not have written such a powerful poem about the maternal connection.

Taung Child by Alan Shapiro

What led you down, first mother, from the good
dark of the canopy, and then beyond it?
What scarcity or new scent drew you out
that day into the vertical-hating flatness
of the bright veldt, alone, or too far from
the fringes of the group of other mothers
following the fathers out among the herds
and solitary grazers, the child clinging to your back
when the noiseless wing flash lifted him
away into the shocked light as the others ran?
Two million years ago, and yet what comes
to me, in time lapse through cascading chains
of changing bodies, is not the tiny skull
I’m holding, not the clawed out eye sockets,
his fractured jaw, but you, old mother, just then
in that Ur-moment of his being gone,
what I’ve felt too, on crowded streets, in malls,
if only briefly, in the instant when
the child beside me who was just there
isn’t
before he is again, that shock, that panic,
that chemical echo of your screaming voice.

 

Charlotte Joko Beck and Disappointment

Disappointment is a recurrent feature of our lives. Some people handle it well while others are just devastated, not able to cope with the misfortune, perceived or otherwise, that has come their way. But Charlotte Joko Beck sees disappointment as an opportunity:

When we refuse to work with our disappointment, we break the Precepts: rather than experience the disappointment, we resort to anger, greed, gossip, criticism. Yet it’s the moment of being that disappointment which is fruitful; and, if we are not willing to do that, at least we should notice that we are not willing. The moment of disappointment in life is an incomparable gift that we receive many times a day if we’re alert. This gift is always present in anyone’s life, that moment when ‘It’s not the way I want it.”

I’ve seen people face the disappointment and then with sheer will power and brute force face the disappointing circumstances and get what they want, only to later learn that it was not the best thing for them or for others. Yes, there is a time to confront the disappointment but Beck’s point was that there are definitely times when the disappointment needs to be embraced as a learning opportunity.

One of the greatest causes of disappointment is failure and it can be one of the most horrifying experiences of our life. But failure also often has something to teach us. E. L. Mayo put it like this, “Failure is more important than success because it brings intelligence to light the bony structure of the universe.” When in the throes of failure, our heart torn asunder with the disappointment of having our dreams crushed, if we can manage to pause for a moment, and exercise “mindfulness”, we can often find an intelligence present in the moment that will teach us something we would not have learned otherwise.

 

Here is more wisdom to share from my dear friend Emily. You know her as Emily Dickinson. Her poetry is so unusual, reflecting such an interesting and complicated mind which was so adept at addressing spiritual intricacies.

The following poem addresses the role of the ego in spiritual formulation as well as the need to let that ego go at some point. She described this “letting go” as “letting the scaffolding drop” at which point the soul is discovered. In another poem of hers she described this moment in these words, “And then a plank in reason broke…” Emily was addressing loss; or, in terms of object-relations theory, the “lost object.”

And of course, this experience does not destroy the ego, it merely humbles it and opens it up to another dimension of life. It gives the ego meaning. But often it does feel like destruction and in spiritual teachings indeed is presented as death.

 

THE PROPS ASSIST THE HOUSE

By Dickinson, Emily

 

The Props assist the House

Until the House is built

And then the Props withdraw

And adequate, erect,

The House support itself

And cease to recollect

The Augur and the Carpenter –

Just such a retrospect

Hath the perfected Life –

A Past of Plank and Nail

And slowness – then the scaffolds drop

Affirming it a Soul –