Tag Archives: New York Review of Books

Poetry Captures Subjective Experience

Years ago I heard a poet answer the question, “How does one make a poem?”  with, “Grab a word and pull on it.”  I loved that answer because though a fledgling with poetry I knew that poetry involved a friction, a tension, a tearing of the soul.  Or, in the words of T. S. Eliot,

Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still.
T. S. Eliot – “Burnt Norton” (1935)

This cacophony of sense experience is something that most of us never experience, self included, for though I love poetry I lack the humility required for the poetry gods to speak through me.  But a poet can “wrestle with the gods” in the depths of his/her heart and manage to wrap words around this subjective turmoil, a process captured so beautifully by the following words from Archibald MacLeish.

Bewildered with the broken tongue
of wakened angels in our sleep
then lost the music that was sung
and lost the light time cannot keep!
There is a moment when we lie
Bewildered, wakened out of sleep,
when light and sound and all reply:
that moment time must tame and keep.
That moment like a flight of birds
flung from the branches where they sleep,
the poet with a beat of words
flings into time for time to keep.

I know several poets who are very talented and one who has the unique ability of being able to, “with a beat of words fling into time” a powerful subjective experience.  Her work is very similar to that of William Wordsworth described in the NYRB article that I posted here in the past couple of days.

But my main point here is to provide a marvelous link to show this linguistic process in action with the comedic brilliance of Trevor Noah in a stand-up routine several years ago.  His point is humor, and the humor is outstanding, but note how he plays with words and demonstrates how fluid they actually are though most of us spend our lives in the rigidly structured banality of everyday language. (You might have to copy and paste into your browser; go to 5:29 mark)

(https://www.google.com/webhp?source=search_app#q=trevor+noah+know+what+i+mean&*)

Wordsworth’s “Preludes” and Subjectivity

Just after the turn of the century, I had the privilege of living in Cambridge, England for an academic year with my wife who was doing research at Lucy Cavendish College at Cambridge University.  One of my personal highlights was attending a wine tasting at the Cambridge University office of William Wordsworth.  There I was in awe as I soaked up the atmosphere of the room where this great poet had studied and written, my “awe” certainly enhanced by very the very fine wine!  I was taken by handwritten copies of some of his poetry displayed on the walls and original editions of his work on display.  I reveled for a while in the “spirit” of one of my most beloved poets.

This past week the New York Review of Books had a lengthy report of a new book about one of Wordsworth’s most famous lyrical poems, “The Preludes.”  This book review by Helen Vendler delves into some of the personal misfortunates that befell Wordsworth in life, especially in his youth, all of which turned him inward and eventually gave expression to beautiful poetic imagery of a soul that had been denied the comfort of traditional life.  It reminds me of something W. H. Auden said of W.B. Yeats, “Mad Ireland hurt you into poetry.”  Wordsworth’s world was often very maddening and it did turn him away from the horror of what he was witnessing toward the subjective comfort of poetic reverie.

I will post a link to the entire book review at the conclusion.  Here I would like to share an excerpt from the preludes which has been offering me reassurance for the past 30 years or so, reassuring me that he too saw as did Shakespeare, “There is a Divinity that doeth shape our ends, rough hew them how we may”:

Dust as we are, the immortal spirit grows
Like harmony in music; there is a dark
Inscrutable workmanship that reconciles
Discordant elements, makes them cling together
In one society. How strange, that all
The terrors, pains, and early miseries,
Regrets, vexations, lassitudes interfused
Within my mind, should e’er have borne a part,
And that a needful part, in making up
The calm existence that is mine when I
Am worthy of myself! Praise to the end!

Book review by Helen Vendler of Wordsworth’s “Preludes”:  http://www.nybooks.com/articles/2017/02/23/wordsworth-heard-voices-in-my-head/

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ADDENDUM–I have diversified this literary effort of mine.  In this blog I plan to focus more on poetry and prose.  Below you will see two other blogs of mine relevant to spirituality and politics which have lain dormant for most of the past five years.  I hope some of you will check them out.  However, the boundaries will not be clear as my focus is very broad and my view of life is very eclectic/inclusive/broad-based.  Yes, at times too much so!

https://wordpress.com/posts/anerrantbaptistpreacher.wordpress.com

https://wordpress.com/posts/theonlytruthinpolitics.wordpress.com