Tag Archives: Suicide

“Palimpsest: The Deceitful Portrait” by Conrad Aiken

I chat via phone with a very gifted writer from New York City who lived here in Taos, New Mexico until about two years ago. This “confab” that we have bi-weekly is one of the most spiritually invigorating experiences I have in my life. She is writing an essay now on eidetic memory which brought to my tangentially-oriented mind the word “palimpsest.” And this, in turn, brought that same “tangentially-oriented” mind to the poet who introduced me to that term decades ago when I discovered the poet, Conrad Aiken.

A biographical note is in order. Aiken was born to a 1889 to a respected Savannah, Georgia physician and eye surgeon and his wife, the daughter of a prominent Massachusetts Unitarian minister. When he was eleven years of age, one morning he heard two gun shots ring out in his home and discovered that his father had shot his mother and then himself.. You can imagine the terror that gripped him. I share this anecdote because of a note that W.H. Auden made in a poem about William Butler Yeats, “Mad Ireland hurt you into poetry.” For that murder-suicide to have happened, you can only imagine the madness the reigned in Conrad’s household and certainly “hurt” Conrad into poetry also.

Here I wish to share a bit of an Aiken poem, followed by a link to the entire poem. It begins with how we “walk through many lives” and carry a bit of each of them with us as we constellate an identity. With the resulting synthesis we “see but the small bright circle of our consciousness, beyond which lies the dark this powerful poem, Aiken explores the intricacies of identity, the art of subterfuge inherent in daily life, the sadness, the narcissism, the disappointment, and the courage we find to carry on before the taunting of despair:

And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What’s new? What’s old? All things have double meanings,—
All things return. I write a line with passion
(Or touch a woman’s hand, or plumb a doctrine)
Only to find the same thing, done before,—
Only to know the same thing comes to-morrow. . .
.

If this poem speaks to you in the least, I encourage you to follow the link provided as it is a deeply moving poem from the heart of a poet full of very intense emotion with consummate skill is conveying his heart’s sentiments.

http://famouspoetsandpoems.com/poets/conrad_aiken/poems/441

Thoughts About Robin Williams, Death, and Life

What made Robin Williams so funny was that he could play with reality.  He could step into an insane perspective on the world and speak from that skewed angle on the world to poke fun at the day-to-day grind of reality that we call “normal.” 

 But there is a price tag for playing with reality like that.  To do so, one must live beyond the safe confines of “normal” and expose oneself to all the perils that “normal” was created to keep at bay in the first place. And one of these perils is to deal with the famous observation made by Hamlet,“To be, or not to be.  That is the question.”

This tragic death gives me pause for I know that I too live beyond the safe confines of “normal.”  That has always been the case; but only in recent years have I found the courage to give up the desperate desire to convince others that I “think” correctly.  I don’t.  Never have.  And never will.  And I am exposed to the aforementioned perils but none of them appears to be the temptation to take my own life….or the life of anyone else!  And perhaps that will be a demon I will have to face at some point but I don’t think so.  I guess I have accepted death already as an intrinsic part of life and so, in some fashion, believe that I’m dead already.  And once one is “dead already” there is no need to worry about death but to merely focus on life and what it presents to you in the present moment.

I think it is Ken Wilbur who has made this very point,  that life and death and inextricably interwoven.  And each day of our life we are often called to death, to “climb the rugged cross of the moment and let our illusions die.” (W. H. Auden)  Each day of our life there are moments when we can opt to not stubbornly obey the dictates of our ego and in that moment make room for another person and/or to be “present” in the physical world. And Wilbur’s teachings presents that moment as a paradigm of death, a discipline that can prepare us for the Big Death that comes to all.

I share in our collective sadness over this tragic death.  I deeply admire men and women who can think…and live…outside of the box like Williams did.  They are gifts to humankind.  Their ability to share a “skewed” view of the world can give us “self” awareness for a moment, a brief glimpse into our precarious grasp on our world, a grasp that we think of as our personal “reality.”

 

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To “Be” or “Not to Be”

This observation by Hamlet is one of Shakespeare’s most famous lines and the subject of being vs non-being was a recurrent theme of the Bard. On one level the issue in this famous soliloquy was merely that of physical existence, The morose young oedipally-conflicted neurotic was serotonin-depleted and questioned that it was worth it to toil on against those “thousand natural shocks that flesh is heir to” rather than opt for the “bare bodkin” (knife)

But a more substantive issue for Shakespeare than physical life or death was “being” itself—-“what does it mean to ‘be’ as opposed to ‘not be.’ This is best illustrated in Sonnet 146 when he lamented a “poor soul…pining within…painting thy outward wall so costly gay” while disregarding that inward estate which he saw as the real, concluding that we should instead “within be fed, without be rich no more.” (See http://www.artofeurope.com/shakespeare/sha6.htm)

Shakespeare saw that humanity had lost his way and was immersed in the ephemeral, making the mistake that John Masefield described as “like a lame donkey lured by moving hay, chasing the shade and letting the real be,” the state of affairs which C. S. Lewis later described as sin, “misplaced concreteness”. (For Masefield sonnets, see http://www.sonnets.org/masefield.htm)

The issue is an “external” reference point which…and here things get complicated…is not really “external” but “spiritual.” But to delve into the “spiritual” we must first use language…most of us anyway…and so we must use words like “external” to evoke images. Shakespeare was merely saying, “Hey, there is more to life than meets the eye!” and that is a message that humankind has always been averse to as it takes him out of the comfortable little orbit of his ego-bound day-to-day life. But, in spite of this aversion, there is still “more” out there and we ignore it at our own peril.

 

The Pain of “Seeing Things Too Well”

And one trembles to be so understood and, at last, To understand, as if to know became The fatality of seeing things too well. –Wallace Stevens

Matthew Warren, the son of widely-renown evangelical pastor Rick Warren, has taken his life. Only in his mid-twenties, the report from his father was that his son had struggled with depression and “mental illness” for most of his life, often pining for death to ease his pain. I was deeply troubled by this story, so sorry for the young man who was so overcome with the difficulty of life and for his family whose life has now been shaken to the core.

“You who watched Matthew grow up knew he was an incredibly kind, gentle, and compassionate man,” Warren wrote. “He had a brilliant intellect and a gift for sensing who was most in pain or most uncomfortable in a room. He’d then make a bee-line to that person to engage and encourage them.”

This anecdote from Pastor Warren reveals that Matthew was a very sensitive soul, who could be described as “having boundary problems” and taking on the troubles and pain of other people. In my trade, I once heard a psychiatrist describe a similar soul as suffering from “porosity of boundaries.”

I don’t know anything about the Matthew and never will. But I certainly identify with him as I know what it is like to overly-identify with other people and, on occasion to cross a line and take on more of their pain than I should. That is why I was a “mental health professional” and often could have uttered the famous words of Bill Clinton, “I feel your pain.” But, mercifully my “porosity” never reached the extreme of this young man and I’ve never had to battle with suicidality.

Life is really painful. Most people are “blessed” with blinders but some are not so fortunate. If they are lucky, they will be able to channel this anguish into a productive outlet…art, music, “care-giving” professions, ministry, etc….; otherwise, they suffer terribly and sometimes opt for the “bare bodkin” that Hamlet pined for. Most cultures do not make room for young men and women of this cut, those who “see things too well.” This greatly exacerbates their pain, forcing them to suffer in isolation. I’m reminded again of the wisdom of Leonardo da Vinci:

O cities of the sea, I behold in you your citizens, women as well as men tightly bound with stout bonds around their arms and legs by folk who will not understand your language; and you will only be able to give vent to your griefs and sense of loss of liberty by making tearful complaints, and sighs, and lamentations one to another; for those who bind you will not understand your language nor will you understand them. Leonardo da Vinci, from “Of Children in Swaddling Clothes”. Just as Jaspers would note, da Vinci knew that we “have to take it where we find it.”